![]() ![]() The climax is an airtight roadside face-off that ends in gunfire, grenades exploding, and a car chase, but nearly everything before it, from scenes of gangsters lounging at their exclusive restaurant hang-out to Max and Riton simply sharing wine and bread, are just as slick and satisfying. Becker makes the mundane as compelling as the crackling action in which the film crescendos, masterfully wielding silence and musical cues (Max’s song is a wistful harmonica melody) in tandem with the visual grammar of film noir. It is based on the novel by Albert Simonin. ![]() Riton, whose young lover (Jeanne Moreau in the femme fatale role) has just taken up with another man closer to her own age, examines himself in the bathroom mirror, and gently pushes at the sides of his eyes, as if he’s trying to remember the smoothness of his younger skin.Ĭonnections aside, this film stands firmly on its own two feet. Touchez pas au grisbi (French for 'Don't touch the loot') is a 1954 French-Italian crime film directed by Jacques Becker and starring Jean Gabin, Jeanne Moreau, Lino Ventura, Dora Doll, Delia Scala, Ren Dary, and Miss America 1946, Marilyn Buferd. A sense of late life melancholy is perhaps clearest in the scene where prior to his kidnapping, Max’s friend Riton stays the night at Max’s apartment, and the two are shown in their pajamas getting ready for bed (which immediately recalls the scene in The Irishman where Hoffa and Sheeran spend a night at a hotel together). Though Gabin was twenty years or so younger than De Niro at the time of their respective performances, they share a similar weariness in how they carry and express themselves, and not only that, but their characters also obviously recall one another: Gabin’s Max and De Niro’s Frank are aging gangsters whose loyalty to a friend is tested, and whose looking back on their lives adds a strain of regret to their film’s emotional undercurrents. After his long-time friend and partner is kidnapped by rivals who want his recently acquired loot, Gabin’s cool, collected, and finely dressed Max is forced to put off retirement just a little bit longer, and potentially choose between saving his pal and his nest egg.ĭespite their differences in scope, the influence of Becker’s film on Scorcese’s latest crime saga is loud and clear. My vote is eight.Before there was The Irishman, there was Jacques Becker‘s Touchez Pas au Grisbi, an impeccably crafted crime film from 1954, in which French acting legend Jean Gabin plays a worn out gangster in the twilight moments of his career. It is also impressive how beautiful and sexy the actresses are. 43K subscribers Subscribe 56K views 2 years ago GABIN VENTURA MOREAU Max (Jean GABIN) et Riton (Ren DARY) viennent de raliser un coup fumant en volant 50 millions en lingots. Max is an interesting character and it is delightful to see his reactions and tranquility towards any situation, his code of honor and his face in the end after receiving the phone call with the bad news. The pace is capable to detail a scene like, for example, Max and Riton brushing their teeth without being boring. Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they. Will Max exchange his gold for Riton? "Touchez pas au grisbi" is a classy French-Italian production with a great story of honor and friendship. The YouTube Effect plays in the following states. He abducts Riton to force Max to give the gold to him. No showtimes found for The YouTube Effect near Los Angeles, CA Please select another movie from list. Riton has made a comment to Josy about the gold and soon Angelo discovers that Max and Riton have the stolen gold. Riton's mistress Josy (Jeanne Moreau) is tired of him and has found a new lover to support her, Angelo (Lino Ventura), who is a dangerous gangster. The group goes to Pierrot's nightclub, where the girls perform. A newspaper is seen to mention eight bars of stolen gold. Max, a decent and principled gangster, has dinner at Madame Bouche's restaurant, a hangout for criminals, with his longtime associate Riton, their burlesque-dancer girlfriends and his protege Marco. They have stolen eight gold bars of 12 kg each that worth 50-million francs and Max has kept them hidden for their retirement. The entire film takes place over the course of three days. The middle age bon-vivant Max (Jean Gabin) is a former gangster and close friend of his partner Riton (René Dary). ![]()
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